

I have an R36s that I installed Rocknix on to give it a tiny bit of an optimization and performance boost and that thing still kinda choked on some PS1 and most PSP games. The thought of it running Dead Cells 💀
Massive props!
⭒˚。⋆ 𓆑 ⋆。𖦹


I have an R36s that I installed Rocknix on to give it a tiny bit of an optimization and performance boost and that thing still kinda choked on some PS1 and most PSP games. The thought of it running Dead Cells 💀
Massive props!


Games are a modern media and I think suffer from a lot of modern engagement mechanics.
We need to stop viewing them as a constant stream of “new content” and more as an established library.


My brain just shuts off when I read stuff like this.
Man, I dunno. Fuck AAA gaming, I’ll go play something else.


Oh yes, I think Peter Watts is a great author. He’s very good at tackling high concept ideas while also keeping it fun and interesting. Blindsight has a vampire in it in case there wasn’t already enough going on for you 😁
Unrelated to the topic at hand, I also highly recommend Starfish by him. It was the first novel of his I read. A dark, psychological thriller about a bunch of misfits working a deep sea geothermal power plant and how they cope (or don’t) with the situation at hand.


Blindsight mentioned!
The only explanation is that something has coded nonsense in a way that poses as a useful message; only after wasting time and effort does the deception becomes apparent. The signal functions to consume the resources of a recipient for zero payoff and reduced fitness. The signal is a virus.
This has been my biggest problem with it. It places a cognitive load on me that wasn’t there before, having to cut through the noise.
I revisit Eternal Sunshine of the Spotless Mind every few years when I wanna get my guts all twisted into knots.
I think when Kaufman is left on his own he’s too much of a bummer and Gondry on his own is just too far out. But somehow they come together in a perfect balance with Jim Carey in perhaps his best serious role, IMHO. The soundtrack really takes it the extra mile.
I appreciate it because Joel and Clementine come off as just two kinda fucked up people having a kinda fucked up relationship; very relatable. Neither is perfect or completely at fault and the film very much leaves it up to your interpretation if they can or should work together. I don’t think it has a happy ending, do you? Compare that to something like 500 Days of Summer where you’re really supposed to sympathize with Joseph Gordon-Levitt’s character but mostly I end up wanting to push him into the mud. Hard.
The subplot between the doctor and his secretary is maybe a little unnecessary? But Kirsten Dunst is amazing so whatever.
I wish I had stayed.